René Lalique wanted to make beauty accessible to as wide a public as possible, and one solution was to use moulds in order to mass produce . In addition to objects such as perfume bottles, the museum shows glass objects in many different areas of life such as tableware, architecture, and interior decoration.<\/p>\n
One of René Lalique’s main motivations for setting up the factory in Wingen-sur-Moder in 1921 was to develop production of tableware. Many of the services produced in Alsace were named after local towns, such as Strasbourg, Mulhouse <\/em>and Colmar<\/em>. You can also see Mouettes<\/em>, a service René Lalique created specially for the visit of the British monarchs in 1938.<\/p>\n René Lalique took glass into all areas of everyday life: he produced vases, lamps, statues and clocks, radiator caps for the cars of the Roaring Twenties, inkstands and mirrors, and continued to design and produce glass jewellery.<\/p>\n Monumental projects such as the Sources de France<\/em> fountain in 1925 and the interior of the Notre-Dame-de-Fidélité chapel at Douvres-la-Délivrande, are among the examples of René Lalique’s architectural achievements that you can discover via films and photos in various spaces within the museum.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" René Lalique wanted to make beauty accessible to as wide a public as possible, and one solution was to use moulds in order to mass produce . In addition to objects such as perfume bottles, the museum shows glass objects in many different areas of life such as tableware, architecture, and interior decoration. Glass in everyday […]<\/p>\n","protected":false},"author":0,"featured_media":0,"parent":3154,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-3235","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nMonumental works<\/h2>\n